Mike Templar Absolute great dark synth / electro tune and lyrics with epic sounding elements and a strong pulsating layer cleaning out your ears...do you get the message?
Mr Conner A dark electro, gothic twist on an ancient myth, CZARINA’s Medusa is one to fear and admire. Once a victim, Medusa’s rage seeps through driving beats and burst into flames of massive percussion, while vocals convey her calculated, controlled, and mysterious mind. CZARINA's spirit shines through in all she does.
VVMPYRE The orchestral bombast of this track is unmatched by practically anything in its genre. While this track’s structure and bassline certainly calls to Blutengel among others, in a lot of ways CZARINA transcends these sounds with her amazing vocals and lyrics here. It’s easy to forget there were two other singles that were also this good, but it’s hard to miss this phenomenal track.
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Moving thru the sands of time Some stories ancient and divine Concealing truths from our sight Waking at the end of a long night ‘Cuz I’m the predator I’m the predator I’m the predator I’m the predator Alpha et Omega Alpha et Omega Alpha et Omega Alpha et Omega They may look the other way Pay no heed to what I have to say We’re awakened in the end With time passing by The truth survives all the lies From beginning and the end Alpha et Omega Alpha et Omega Alpha et Omega Alpha et Omega ‘Cuz I’m the predator I’m the predator I’m the predator I’m the predator
Galicia, Spain-based American synth and electronic artist CZARINA (styled as C Z A R I N A on all platforms) unveils her latest Darkwave and Baroque Pop Single, Medusa. Based on the ancient Greek mythology about the legendary serpent-haired gorgon, Medusa is a song about time eventually unraveling all hidden truths from beginning and the end - “the Alpha and Omega.” According to the myth, Medusa was once a beautiful maiden wrongfully punished by the warrior goddess Athena after the ocean-god Poseidon defiled Medusa in Athena's temple. Athena transformed Medusa’s beautiful hair into horrible snakes and her gaze that turns men into stone. Throughout history, Medusa has been associated with monstrosity which CZARINA sings with cynicism, “Cuz I’m the predator, I’m predator, ” even though she’s the true victim in the ancient myth. In today’s culture, Medusa has been retransformed into a powerful symbol of feminine rage which the track celebrates.
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Written, arranged, performed, fully produced and recorded by CZARINA, Medusa is an eclectic mix of ‘80s goth and darkwave, heavy-hitting club banger soundscapes mixed with ethereal qualities of a simulated chamber orchestra and a full-scale choir performance by the artist. Von Hertzog of The Social Club (Reading, PA), provided additional atmospheric sound designs, along with mixing and mastering. All of CZARINA’s cover art and visuals are conceptualized and created by her and her husband, the artist DeadlyKawaii. Medusa and its accompanying music video will be available across all platforms on December 2, 2021. It is the third single from CZARINA’s highly-anticipated sophomore full-length record, ARCANA, due early 2022.
CZARINA is Vero Faye Kitsuné, an award-winning electronic musician, producer, songwriter, filmmaker, creative director, designer and visual and performance artist. She is known for her multi-disciplinary approach that combines transcendentalism and new age mysticism with her love for futurist culture, cybernetics, biomechanics, ancient artifacts, mythology, folklore and the discipline that comes with her Budo martial arts training.
CZARINA’s unique soundscape seamlessly melds electronic with organic sounds, transcending a vast spectrum of genres including progressive synths, art rock, Baroque pop, cyberpunk, industrial, trip hop, post-punk and darkwave. Her eclectic list of musical and visionary influences include Nine Inch Nails, TOOL, Massive Attack, Bjork, The Knife, Fever Ray, Puscifer, Vangelis, A Perfect Circle, The Cranberries, Enya, David Bowie, Led Zeppelin, QUEEN, Blondie, Kate Bush, Siouxie Sioux, Tori Amos, and visual masters and storytellers Masamune Shirow, Yoshitaka Amano, HR Giger, Hayao Miyazaki, Katsuhiro Otomo and Hajime Sorayama. CZARINA takes her audience into a new dimension, filled with atmospheric and cinematic synths, a full orchestra and heraldic choir chants, shimmering arpeggios, sonic guitar riffs, catchy melodies, powerful vocal hooks, and poignant, thoughtful lyricism that compels one to look inward, around and beyond the material world.
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CZARINA (styled as C Z A R I N A) is a Filipino-American award-winning synth and electronic artist, songwriter, producer, visual artist and filmmaker. A New York City native based in both Galicia and London, her work transcends a vast spectrum of electronic genres including Dark Electro, Gothic New Age, Progressive Rock, Industrial, Synthpop and Post-Metal. ... moreShe has played New York City venues, built her own fashion brand, and roams the shores of a majestic land of witches and warlocks. Meet Vero Faye Kitsuné – the electronic musician, visionary, and multi-disciplinary artist known as CZARINA.
, and release of the powerful music film for the epic single, “Wonderland, ” a song that wakes the spirit and ushers a new way forward.
To know Vero today is to know her storied history, and her multidisciplinary art is a window into her mind and spirt the art expresses. Vero is an agent of change in all she does. Vero cultivates the underground electronic music scene. She steers ABSYNTH, for instance, an online space dedicated to unearthing hidden gems and bringing progressive, cutting-edge visuals and sounds to fans, and she uses her various platforms to share lessons in art and life to help others be the best version of themselves.
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Vero was born in the Philippines and raised in Queens, New York by an artistic and creative family who encouraged and supported her exploration of arts, such as music, singing, dancing, drawing, and painting. Vero has Iberian and East Asian lineage, and upholding cultural heritage is important to her and her family. Her lineage is noticeable in her visual arts as well. For example, her East Asian ancestry (Chinese/Japanese) permeates her branding and music films, such as Silence & Surrender and Blaze: Dances of the Yokai. Vero said her new music film, “’Wonderland’ bows to my Iberian lineage (Spanish/Portuguese), in terms of myth, history, local legends and lore, and location.”
Vero has long expressed herself through art. The multidisciplinary nature of her art is drawn from a multitude of inspirations and built upon the chapters of her story that have already been written. As a tween, Vero began formal training for Broadway, studying singing, dancing, and acting for auditions, noticeable elements in her music films. Vero was accepted to the “Fame” school – New York City’s LaGuardia High School of Music & Art and the Performing Arts where, instead of majoring in music, she pursued her passion in Visual Arts. She began studio training in drawing, painting, sculpture, design, and photography.
While at LaGuardia High School, Vero began to develop a passion for the transformative, pioneering sound of alternative rock, metal, and industrial artists, such as Nine Inch Nails, Tool, Ministry, Stone Temple Pilots, and later trip-hop legends Portishead and Massive Attack. She soon began to write rock music on the side, using her first electric guitar, a Yamaha Pacifica, which her father bought for her.
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Vero later attended New York’s Fashion Institute of Technology, majoring in Footwear and Accessories Design, which undoubtedly added tools to her artistic kit. Her passion for music continued to grow, and something big was happening – she started a progressive metal band called Aikostar.
“A great moment, ” Vero described the few years she spent playing with Aikostar around New York and on regional tours. With only a few clicks of the mouse, Aikostar’s 2006 self-titled release can be found on Apple Music, Spotify, and Amazon. New and long-time CZARINA fans will be delighted to find raw, energetic, and complex songwriting that dynamically comes and goes, meandering through spaces high and low, far and wide, with noticeable late 90s hard alternative rock influences, such as Tool.
With Aikostar, Vero navigated a large space with her vocals, often fast, slow, raging, and gentle, all remarkably within just moments in time, a quality quite noticeable on “ For Charon.” While the vocalist we have come to know as CZARINA exemplifies a polished, channeled energy that is exceptionally powerful, the raw, youthful energy Vero exemplifies on Aikostar is equally attractive and, if you listen closely, CZARINA still embodies.
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While Vero was playing with Aikostar, she also began building her career in the fashion industry as a footwear designer. Her fashion blossomed, and she put her music endeavors on hold. Over the
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